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AP Music Theory Unit 6: Harmony and Voice Leading IV – Summary

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Unit 6 AP Music key topics 🎼 Unit 6 Overview Unit 6 in AP Music Theory focuses on advanced harmonic progressions, voice leading, cadences, and chromatic harmony. This unit builds on previous knowledge (Units 1-5) and introduces more complex concepts like secondary dominants and modulation. 📖 Key Topics Covered 1. Harmonic Progressions & Voice Leading 2. Cadences 3. Non-Chord Tones […]

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Harmonic Sequence in AP Music: A Detailed Breakdown

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What is a Harmonic Sequence? A harmonic sequence is a repetition of a chord progression pattern that is transposed up or down by a consistent interval. Unlike melodic sequences (which deal with single-note patterns), harmonic sequences involve chord progressions and are crucial in tonal music. Types of Harmonic Sequences 1. Descending Fifth (Circle Progression) Sequence 2. Ascending Fifth Sequence 3. Pachelbel

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Melodic Sequence in AP Music: A Comprehensive Guide

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What is a Melodic Sequence in AP Music? A melodic sequence is a repetition of a melodic motif or phrase at a higher or lower pitch level, maintaining the same general shape but transposed. Sequences are a fundamental concept in AP Music Theory and are widely used in compositions to create coherence, development, and variation. Types of Melodic Sequences How to

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Types of Embellishing Tones and Their Use in a Chordal Framework (AP Music)

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What Are Embellishing Tones? Embellishing tones (also called non-chord tones) are notes that do not belong to the underlying harmony but are used to decorate or enhance a melodic line. They create movement, tension, and resolution within a chordal framework. Types of Embellishing Tones 1. Passing Tone (PT) 2. Neighbor Tone (NT) 3. Suspension (SUS) 4.

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Additional Chords in AP Music Theory: A Complete Guide

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Introduction In AP Music Theory, understanding additional chords is crucial for analyzing and composing advanced harmonic progressions. These chords go beyond the basic diatonic harmony, introducing chromaticism and richer tonal colors. This guide covers: Let’s dive in! 1. Secondary Dominants (Applied Chords) A secondary dominant is a dominant chord (V or V7) that temporarily tonicizes a non-tonic chord. How

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Cadential 6/4 Chords in AP Music Theory: A Complete Guide

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What Is a Cadential 6/4 Chord? A Cadential 6/4 chord (pronounced “six-four”) is a common harmonic device used in classical and tonal music to create a strong, delayed resolution to the dominant (V) chord. It is a type of second inversion tonic chord (I⁶₄) that embellishes the dominant, adding tension before the final cadence. Why Is It Called “6/4”?

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Understanding Cadences and Predominant Function in AP Music Theory

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Cadences and Predominant Function in AP Music Theory: A Complete Guide Music is built on harmonic progressions, and understanding cadences and predominant function is essential for analyzing and composing music. In AP Music Theory, cadences mark the end of musical phrases, while predominant chords create tension that leads to the dominant. Let’s break it all down! What Are Cadences in Music?

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The iii (III) Chord in AP Music Theory: A Complete Guide

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The iii (III) Chord in AP Music Theory: Full Explanation Understanding the iii (III) chord is essential for mastering harmony in AP Music Theory. This chord plays a unique role in both major and minor keys, offering subtle yet powerful harmonic color. In this guide, we’ll break down its construction, function, and usage in chord progressions. What Is the

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Predominant Seventh Chords in AP Music Theory: A Complete Guide

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Predominant Seventh Chords: A Full Explanation for AP Music Theory If you’re studying AP Music Theory, you’ve likely encountered seventh chords—a four-note chord consisting of a triad plus a seventh. But how do predominant seventh chords function in harmony? In this guide, we’ll break down everything you need to know, including: Let’s dive in! What Are Predominant Seventh Chords?

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